Festival: 29. Mai bis 4. Juni 2018
Einreichbedingungen zum Download (122KB)
Deadline für Einreichungen: 4. Jänner 2018
Late Deadline: 31. Jänner 2018
VIS widmet sich jährlich schwerpunktmäßig einem Fokus-Thema, präsentiert Spotlights, Personalen und Spezialprogramme und engagiert sich gemeinsam mit der Vienna Shorts Agentur auch das ganze Jahr über in der Verbreitung und Sichtbarmachung von Kurzfilm.
VIS ist das größte Kurzfilmfestival Österreichs und qualifizierendes Festival für die Academy Awards® und den Österreichischen Filmpreis.
Das Herzstück des Festivals sind die Wettbewerbe, für die Filme mit einer Länge von bis zu 30 Minuten und einem Fertigstellungsdatum ab dem 1.1.2017 (Ausnahme "VR the world" ab dem 1.1.2016) eingereicht werden können.
Die Einreichung für die Wettbewerbe ist an kein Thema gebunden.
INTERNATIONALE & NATIONALE WETTBEWERBE
Jeder Wettbewerb hat eine eigene internationale Jury und eigene Preise:
Fiction & Documentary - internationale Kurzspiel- und Kurzdokumentarfilme, narrative Animationen sowie hybride Spielformen
Animation Avantgarde - internationale Animationen, Experimental- und Avantgardefilme, Digital Media und Videokunst
Österreich Wettbewerb - Filme aller Gattungen und Genres, die in Österreich, mit österreichischer Beteiligung oder von österreichischen Filmschaffenden produziert wurden
Musikvideo Wettbewerb - österreichische und internationale Musikvideos und -filme
VR the world - internationale Virtual Reality Filme und 360° Filme aller Genres
Wir bitten alle österreichischen Filmschaffenden, für den Österreich Wettbewerb oder den österreichischen Musikvideo-Wettbewerb einzureichen. Die Filme werden, falls sie für Fiction & Documentary oder Animation Avantgarde in Frage kommen, an die jeweiligen Sektionen weitergeleitet.
Filme können über die folgenden Plattformen eingereicht werden:
We encourage committed filmmakers to submit via FilmFestivalLife. With monthly subscriptions and pro accounts FilmFestivalLife is the smartest way to save money with a strategic approach. Join the platform where award-winning filmmakers and quality festivals meet.
Bei Fragen wendet euch bitte vertrauensvoll an film(a)viennashorts.com.
Wir freuen uns auf eure Filme!
REGULATIONS APPLYING TO ALL COMPETITIONS
1. GENERAL INFORMATION
This is an agreement between you (the “submitter” )
Independent Cinema - Verein zur Förderung unabhängigen
1070 Wien, AUSTRIA
ZVR: 551380685 | DVR: 4013590
in its capacity as the organiser of the Oscar® and Austrian Film Awards accredited film event “VIS Vienna Shorts - International Festival for Short Film, Animation & Music Video” (“the festival”, “VIS Vienna Shorts”, “VIS”, “we”, “us”)
If you have any questions contact us at: film(at)viennashorts.com
1. Distribution Companies & Film Schools
For distribution companies & film schools special regulations apply. Please contact us at: email@example.com
2. COMPETITIONS AND ELIGIBILITY
1. Length & country of production
All films with a running time of 30 minutes or less are eligible for submission. There are no limits regarding the country of production or the director’s/producer’s nationality. Exception: for the Austrian Competition and the Austrian Music Video Competition only films with Austria as at least one country of production or with an Austrian director or producer are eligible.
2. Year of production
The film was finished on or after the 1st of January 2017. Exception: for the VR competition the film was finished on or after 1st of January 2016.
Films that have been submitted to previous editions will not be accepted.
The film can be submitted to one of six competitions, each with a specific programmatic approach – please read the mission statements on our website before choosing which competition to submit your film to. The festival reserves the right to assign the film to a category that is different from the category it has been submitted to originally. Please submit films with Austria as at least one country of production, or with an Austrian director or producer to the Austrian competition. The competitions are:
A) Fiction & Documentary (international competition)
B) Animation Avantgarde (international competition)
C) Österreich Wettbewerb (Austrian competition)
D) International Music Video Competition
E) Austrian Music Video Competition
F) VR the world (virtual reality/360° film competition)
If the film has dialogue or text that is not in English, English subtitles have to be provided – except for music videos (here subtitles are optional). For selection purposes screener copies of films in German without subtitles are accepted.
6. VR specification
We request that you provide a link to a 360° video file (.mp4), app download package (.apk), or other installation package. Additionally, we request that you provide a 2D version and, if available, a documentation of the project.
3. JURIES AND AWARDS
1. Each competition has its own international expert jury and its own awards. In addition three Jury Prizes are awarded to the best fictional film, the best documentary and the best animated film of all competitions. The Jury Prizes qualify the awarded films for the Academy Awards® (Oscars®).
2. Total in cash prizes in each competition:
A) Fiction & Documentary: EUR 5.000,-
B) Animation Avantgarde: EUR 3.050,-
C) Austrian Competition: EUR 7.000,-
D) International Music Video Competition: tba
E) Austrian Music Video Competition: 1.000,-
F) VR the world: EUR 1.050,-
3. The prizes and the amount of cash awarded may be subject to change.
1. We do not believe in strict premiere rules and therefore it is not mandatory for films to premiere at VIS, however we do want to ensure a high level of relevance of the films to our audience. Consequently Viennese, Austrian and especially international premieres are highly encouraged and will be received favourably.
2. Films that are submitted to the festival will only be selected, if they have not been screened in Vienna anywhere but at VIS from the 1st of January 2018 until after the end of the festival. Exempt from this rule are private (team) screenings, screenings in a museum or gallery context as well as competition screenings at the festival “Tricky Women”.
5. DEADLINES AND NOTIFICATION
1. The general call runs from the 11th of October 2017 until the 4th of January 2018 with an extended deadline until the 31st of January (see 6. ENTRY FEE). No films will be accepted after the extended deadline.
2. All films will be watched by professional programmers until the end of March. The viewing and selection process may take place outside of Austria and films may not necessarily be watched via the platform you submitted them to.
3. The submitter will be notified of the selection status (accepted / rejected) until the 4th of April via e-mail. Should you fail to receive an e-mail (due to technical reasons, such as spam filters) you can also check the status of the film on the submission platform from the 4th of April on.
4. If selected the screening copy of the film must arrive at the festival office by the 20th of April 2018.
6. ENTRY FEE
The film you submit to VIS is being screened by professional curators and programmers. In order to ensure the quality of the selection process we charge an entry fee. In addition to the festival’s entry fee the platforms we work with might charge a submission fee.
1. Fees during general call
A) Fiction & Documentary, VR the world: EUR 15.-/USD 17.-
B) Animation Avantgarde: EUR 10.-/USD 12.-
C) International Music Video Competition: EUR 7.-/USD 8.-
D) Because the festival receives funding from the Austrian government no fees are charged for the Austrian Competition & Austrian Music Video Competition
2. For all competitions - including the Austrian competitions - the fee for the extended deadline is EUR 10,-/USD 12,- higher than the fees during the general call.
3. The entry fees may be subject to change and may be different on individual submission platforms due to the platforms’ specific regulations.
7. ADDITIONAL MATERIAL
In addition to a screener file you are asked to at least submit the following
1. At least one film still (300 dpi)
2. Director's filmography
3. A list with previous screenings of the submitted film, including awards
4. Main credits
5. Information about previous screenings in Austria
8. SCREENING COPIES
1. Accepted formats
A) Film: 35mm, 16mm
B) DCP (unencrypted, Interop, SMPTE, 2k, 24fps, 25fps, 30fps). The DCP must be tested in a theater beforehand.
C) We do not accept files as screening copies. If you need recommendations on DCP-technicians that offer special reduced rates for participants of VIS 2018 please contact us at firstname.lastname@example.org.
2. A backup file must be submitted along with the screening copy.
3. The screening copy must arrive at the festival office not later than the 20th of April 2018.
4. If the film has dialogue or text that is not in English, the film must be submitted with English subtitles.
5. The festival does not pay rental fees, licence fees or other such fees for films that are screened in competition. The selected filmmakers are not awarded financial compensation for participating in competition but will be supported in attending the festival.
6. The film prints will be insured by the
9. DISPATCH AND SHIPPING OF SCREENING COPIES
1. By mail, courier or via download link.
2. All deliveries from outside the European Union must be marked with the phrase “no commercial value - for cultural purposes only”.
3. We will not accept shipments for which we would have to bear shipping fees, duties, taxes or customs duties, and will not assume any responsibility for such shipments.
4. Costs: The applicant is responsible for the costs of sending the viewing and screening copies to the festival. The festival covers the costs of returning/forwarding screening copies.
5. Return of copies: All screening copies will be sent back to the address they were shipped from (or forwarded to an address specified by the submitter) as registered mail as soon as possible after the festival.
6. Please note: Preview copies will not be returned, but stored in the VIS Vienna Shorts archive.
1. You guarantee that you own or otherwise control all of the rights to the film you submit to us and that you are entitled to transfer the rights to us as specified in this agreement.
2. By submitting the film, you guarantee that all (intellectual property) rights needed for screening during VIS and other uses described in this agreement have been cleared.
3. By submitting the film you guarantee that the screening or other use of the film by VIS does not infringe rights held by third parties.
4. By submitting the film you agree to indemnify the festival against all third-party claims in connection with screening the film during VIS and other uses described in the terms. This includes covering any legal costs that might be incurred.
5. Screening: The festival is entitled to show the selected films during the duration of the festival any number of times.
6. Best-of programs: If the film receives an award at VIS 2018 the festival reserves the right to show the film free of charge two times within a year from the festival as part of a best-of program to promote the winning films/filmmakers as well as the festival. If the film is to be shown the submitter will be informed ahead of time.
7. Press screeners & archive: You grant VIS Vienna Shorts the nonexclusive, royalty-free, worldwide, perpetual and unlimited right to make copies of the film in order to make these copies available to press or industry representatives only and to archive these copies. The festival guarantees to exercise this right within reason and always with the benefit of the filmmaker in mind. These copies will not be used for commercial screening purposes by any means.
8. Educational use: You grant VIS the nonexclusive, royalty-free, perpetual and unlimited right to use the archived copies for noncommercial educational purposes in Austria.
9. Video library: You grant the festival the nonexclusive and royalty-free right to include the film in the video library regardless of the selection status of your film. The video library is open to accredited national and international industry guests only; the films may be made available at screening booths or online. You furthermore grant the festival the right to share your contact information with interested industry guests.
10. Promotion: If your film is selected to be included in the program you grant VIS the nonexclusive, royalty-free right to show – online, via television or in cinemas, in single form or as part of a showreel – a trailer or excerpts of up to 30 seconds of the film for advertising and promotion purposes.
11. Meta material: If your film is selected to be included in the program you grant VIS the nonexclusive, royalty-free, unlimited and irrevocable right to publish submitted meta material such as (but not limited to) film stills (in an edited/altered form if necessary), the title and credits of the film, and the director’s name.
11. SEVERABILITY & ARBITRATION
12. If a provision of this agreement is or becomes illegal, invalid or unenforceable in any jurisdiction, that shall not affect:
A) the validity or enforceability in that jurisdiction of any other provision of this agreement; or
B) the validity or enforceability in other jurisdictions of that or any other provision of this agreement.
13. This agreement is governed by Austrian law. The place of arbitration shall be Vienna, Austria, the language of arbitration shall be German.