Short interview: Danny de Vent

How long did it take to make ZWEMLES? Was it difficult to get financing?
It took about two years. Thanks to my producer, and because my project was thoroughly prepared in paper, ZWEMLES got financing from three countries, Belgium, The Netherlands, and France. So you could say it went rather smoothly.

Which thoughts come to mind concerning a “European cinema community”?
It is a challenge to make films that work across national borders. What is regarded as funny in some countries may be perceived as offensive in others. What divides European countries the most is language. At the same time language (in its broadest sense), is their most important national characteristic. What could be considered as an obstacle between countries, also ensures a fascinating diversity.

If you owned a theatre for one night, which films would you screen?
If I owned a theatre, I guess I would screen author cinema that appeals to a broader audience. Films such as IL POSTINO, BREAKING THE WAVES, LIFE IS BEAUTIFUL, AMELIE POULIN, SNATCH, BLACK CAT – WHITE CAT, HABLE CON ELLA…
I would precede each feature with a short (animation) film.

What is your next project?
Currently, I’m completing my teaching degree and I’m writing a new short. Hopefully it can go into production by the beginning of next year.