Telemach Wiesinger
* 1968 in Bielefeld.
Telemach Wiesinger studied Visual Communication at HbK Kassel/Germany and graduated in 1994. As photographer he has worked for many art books and exhibitions around the world. As filmmaker his films are shown on numerous festivals and solo programmes.
Official website: http://www.telemach-wiesinger.de/
LANDED TAKES & SOUND TIMES
Live performance by Telemach Wiesinger (film) and Andreas Gogol (music)
On the road a lot because of his photographic work, Telemach Wiesinger decided to take a small reel of 16 mm film on each of his trips around the world. In every country, he carefully selected a location and his contributors (not to say performers!) and captured a scene of 2 minutes and 45 seconds each. Andreas Gogol joined Telemach Wiesinger in putting together their own journey based on the collected episodes and combining them in a new imaginary space. Rather than to document one trip, one town or one country, LANDED TAKES & SOUND TIMES creates the impression of a travel journal, allowing a glimpse through the eyes of the traveller. During screening, Andreas Gogol composes live on his instruments. He interacts with the film and makes the artist’s rich vision of cinema visible. Each performance creates an entirely new experience.
Presented by VIS within the context of:
VIS Vienna Independent Shorts 2009, Experimental Night
FILMS directed by TELEMACH WIESINGER
PASSAGE
Germany 2008, 30 min, language: without dialogue
Presented by VIS within the context of:
VIS Vienna Independent Shorts 2009, Special: Wer Meer sehen will
3x1
Germany, 10 min
Presented by VIS within the context of:
VIS Vienna Independent Shorts 2009, Projecting Architecture
OTHER FILMS:
DEPARTURE (2002–2007)
AUGENBLICK NR. 19 (2006)
DER KLANG DES MEERES (The Sound of the Sea) (2002–2004; together with Wolfgang Lehmann)
MEER (Sea) (2002–2004; together with Wolfgang Lehmann)
LANDED (2003)
LANDED, 20 X (1999–2001)
KÖNNTE ICH DOCH JENEN TRAUM NOCH EINMAL TRÄUMEN (Could I But Dream That Dream Once More) (1995; together with Wolfgang Lehmann)
ÜBER DIE WAHR-SCHEIN-LICHT-KEIT (1991/1993)
YANN DANIELS ZEIT DER KIRSCHEN (Le temps des cerises) (1989/1990; together with Jan-Hendrik Opdenhoff)
GRAUER ALLTAG (1985)
BLEU ET NOIR - Herbststimmung an einer Zapfsäule (1985)